article series

Should we compare ourselves to others?

The “road” of trials” aspect of the Hero’s Journey is the distance you have to travel between where you are and where you need to be in order to accomplish your goals.  This is determined by studying at least three of the people who have already accomplished it, and seeing what they all have in common.


Specifically, what DAILY behaviors will, in sufficient time, uncover your own maximum potential.  You must focus only on doing YOUR best.  This is what you keep in foveal “first attention” focus. The magic happens in peripheral “2nd Attention.”  Every moment you spend worrying about how you rank against other people is a moment when your attention is split, when you are not doing the very thing that gets you there.


But…is it unreasonable to wonder how you are in comparison with others?  No, it is not. But this evaluation takes place out of “flow” or performance state.   It can help you see where you are on the map, but not what helps you drive fastest and safest.   The way to avoid the fear of never being “the best” is to be sure you are enjoying the trip along the way.    So…


GOAL is clear and sharp, powerful enough to motivate you.  If you have no goal, your first goal is to get a goal!


FAITH is your belief that you CAN and SHOULD achieve your goal.  Unless you can find a spark of faith, you cannot build a roaring blaze of accomplishment, or even a heart-warming little cookfire.   Everyone able to read these words has had successes in life.  Associate deeply with them, and you will find your belief in possibility.


ACTION is the key we’re talking about.  You cannot change yesterday, and cannot live in tomorrow…yet.  All you can do is take care of today, as close to perfectly as possible. And then do it again tomorrow.  The idea is to define clearly: “If I do X (or X and Y and Z) every day for 1000 days, will I reach the next level?   No?  Then study and design action more carefully.  Yes?  Then all that needs doing is to increase my clarity (GOAL), faith, and gratitude to empower those daily actions. The more you increase these things, the more motivation and the less resistance.  If you aren’t taking action, you don’t believe pursuit of your goal will bring more pleasure than pain. When we believe this, we ALWAYS take action.  That’s our wiring.   Works with any animal with a nervous system.   If you could properly adjust pain and pleasure associations, you could teach slime-molds to Samba.   If you can keep your goal clearly in mind, and BELIEVE that today’s small action will take you one step closer, you can do it.


GRATITUDE is your antidote for fear.    Once the fear is handled, love will pull you toward your goal, a wonderful feeling.


How far will you get?  Who knows?  And the part of you engaged in the action doesn’t care.  It simply wants to immerse in flow, doing something it loves.   And if you create that space, just take care of today’s tasks feeling gratitude and faith, you have created a perfect day. And if you pile up seven perfect days you get a perfect week.  Four perfect weeks and you get a perfect month.   Twelve perfect months and you have a perfect year.


One day at a time, one step at a time, one action at a time, one breath at a time.   From time to time, stop and look around and measure progress.  But spend most of your time actually acting, and living, and loving.


That’s how you build your dream-castle…and move into it.




Problem Solving #3: Mindstorming


“Mindstorming” is the same thing as “Brainstorming”, only  in a solitary process.    This is what you have to use if you don’t have an external “Mastermind” to bounce ideas off of.  It is the most primary mode of thought, and where the rubber meets the road.

some thoughts:

  1. Again, it is critical to allow yourself to be silly, stupid, profane, just plain WRONG.  Nothing stops the flow of ideas like the notion that they all have to be “good.” The only way to have a good idea is to come up with a LOT of bad ideas!
  2. voice recorder apps for your cellphone are your friend. As are index cards, post-it notes, Scan Cards (my current favorite: and other tools are great, as are mind-maps, outliners, and so forth.  
  3. Use multi-sensory techniques, digital, visual, auditory, tactile…anything you can to stimulate thinking.
  4. Give yourself a time-limit of ten minutes and generate a HUNDRED ideas that apply to your problem.    
  5. Practice going into “flow state”.  This is a skill separate from any particular application, and worthy of study.  It is the doorway to esoteric mental attributes, but also high creativity and full use of intelligence.   Tai Chi, Yoga, walking/running, dancing, 60 beat per minute “Largo” rhythm instrumental music, soft jazz…anything that takes you out of language and into visual/tactile thinking will do it.  I feel so sorry for those poor souls who have no idea that they can think without words.  
  6. Think of five people you admire.   Write out what you think each of them would say about your current problem or situation.


These are just to get you started. Really, I could go on forever.  And in fact, I invite you readers to add your own ideas in the comment section.  Share and learn!




Problem Solving Part 2: Brainstorming


Back to idea generation.   The specific term “Brainstorming” is the  process of tapping into flow and snatching out ideas, performed by a “mastermind” of two or more people.  

The “Mastermind” principle is, specifically, two or more people operating in a spirit of harmony, committed to the same goal, or helping each other achieve goals that are not in conflict.  


EXERCISE:  Using a digital recorder to track results, you and your partner(s) write the problem on a piece of paper and tack it to the wall.  Now, for fifteen minutes, each of you take turns proposing a solution.  Go FAST!  Prizes for the most answers and the silliest answers.  At the end of fifteen minutes, list the answers and discuss.   You will find hidden gems.


It is very important not to judge the quality or utility of the goals until you FINISH.   This is probably the largest stumbling block: the “adult” or “editor” voice wants to jump in and take control.   Let your “kid” play, and be shocked at just how smart she is.



(P.S.–today is the last day to get in on the FREE mindstorming, question-answering early-adopter teleconferences for the SCREENWRITING MACHINE.  Please join us!

Will you win today?


In an hour, you can read enough on a subject to ask casual questions about it.

In ten hours, you can study a subject enough to ask serious questions, or hold a serious conversation about it.  Ten hours is also enough of a margin to teach a class to students ten hours behind–as long as you keep refreshing that margin.

In 100 hours, you are beginning to actually understand a new subject.

In 1000 hours you can be an expert in most subjects

In 10,000 hours most will consider you a master of your discipline.


These are just broad statements, but if we accept them (for the sake of discussion) it leads to some simple truths.


  1. The process of human evolution proceeds best from our basic survival needs “upward” or from the heart outward.  NEVER from concepts or “spirit” “downward”.  So your first step is to master hunting and gathering, basic sexual and security needs, etc.  This is your foundation.
  2. Equally important is love, beginning with self, and then extending to others. This cannot happen healthfully if we do not feel secure, and love battles with fear…so I think that it is safest and most intelligently “conservative” to work on both at the same time.   Ten hours of heart-centered meditation will give you the ability to touch that sacred place inside yourself, and begin the process of healing.
  3. Whatever you choose to do professionally should either be something you love (enough to study it endlessly) or you need to have your values so clearly defined that doing something unpleasant is considered a sacred duty, and therefore a joy.  I don’t think many men enjoyed going down into the coal mines, but if they had CLARITY that doing so allowed them to support their families, it all makes sense and is worthwhile.
  4. Success comes from “second attention”–the peripheral rather than the “foveal” focus.  For instance, if you concentrate on being the best writer you can be, study and work like a demon, you will get better.  With either a little luck or careful planning, you can also get enough commercial success to supplement or replace your income. With a LOT of luck, you might do very well indeed, in money and/or critical recognition.  But the money cannot be the primary focus, or you lose your connection to the creative impulse and become a “hack”.  The same thing happens in many other arenas: love, health, fitness, and so forth. THE RESULTS ARE SECONDARY.  YOUR ACTIONS ARE PRIMARY.  And your actions are driven by your focus and emotions.
  5. These primary actions  must be UNDER YOUR CONTROL.  Your emphasis is: did i do it?  Did I keep my word to myself?  Tell the truth about this, even if only to yourself.
  6. Design a program that will take you to your goal in 100-1000 days.  The question is: “if I do X every day for this period, will I reach my goal?  Yes?  Begin.  No?  Re-evaluate, study more successful people, refine my map.”
  7. If the answer is “yes”, if you kept your word to yourself for 100-1000 days, then the only question is one of gathering the resources to allow you to do this.  Usually, these will be emotional resources: dealing with fear, confusion, negative voices, depression, conflicted values, etc.  So part of the “work” is outer (doing things) and part is “inner” (cleaning out your mental/emotional closet, healing yourself, silencing or balancing the negative voices, etc.)
  8. THIS is the great strength of the “sentence a day” technique.  (And the “Machine”, so recently adapted to screenwriting)  NO ONE cannot write a sentence a day on any logical basis.   By reducing what must be done to such a small “dead minimum” you are confronted, in micro-form, with every excuse you have ever made for not exercising, meditating, cleaning your house, finishing your book, writing that film.  Your ego will fight like hell, but you’ve flipped over that flat rock, and can look directly at its lies and barricades. The voices that tell you “no” can be revealed for the tinny, cowardly lying vipers they are. The jealous, needy, childish remnants of a “you” you may have left far behind–and NEED to  if you would fulfill your dreams and live life fully.
  9. You have to complete the “Hero’s Journey” in order to move to the next level.  Every day, EVERY SINGLE DAY is an opportunity to do this, if you have defined your goal and path properly.  All you have to do is win TODAY. Did you do what you said you’d do TODAY?  The “Diamond Hour” concept is this: defined properly, you can meditate, exercise, goal set and write a page of fiction in a single hour.  Then if the rest of the day gets away from you, you still win. And in 1000 days?  You’ve written at least two novels, are in good shape, and are balanced in your heart.  
  10. This is a secret.  To do TODAY what can be done today.  Not worrying about yesterday or tomorrow with “foveal” vision, but keeping them in sight “peripherally”.  All action, joy, and aliveness is in the present moment, in “today.”   Every day a new opportunity, every day a new commitment to your own dreams.   It takes planning.  It takes a willingness to own your own life.  Do this, and fear, guilt and limitation dissolve.   All of your attention is on the joy of becoming, or of service to those you love. There is no higher life.


And NOTHING, nothing at all, is more important than living your life, in your terms, according to your own deeply held and considered values.


One day at a time.   Will you win today?





Brainstorming Part One


“Life is `trying things to see if they work”–Ray Bradbury


I recently wrote an article on the “Ten commandments of Brainstorming” (And a few extras) for Creative Screenwriting Magazine.   But I thought I’d rewrite it and  share a preview of its contents with you, Constant Reader.


Creativity is a matter of both self-expression and problem solving.   In both arenas, the ability to generate vast quantities of ideas is essential: “the only way to have a good idea is by coming up with a LOT of bad ideas!”


One way of approaching this is the process known as “brainstorming,” where two or more people work together to generate solutions for a given problem.  Few things can be more practical, not only as a direct means of solving issues or creating ideas, but as a pure exercise in contacting creative “flow.”


There are countless approaches to this, but lets explore a few of them over the next few days, shall we?




We never lack ideas. What we lack is confidence that those ideas are good enough. Everyone goes quietly insane every night.  Creativity is tapping into that infinite flow of possibilities.  EXERCISE: Keep a digital recorder by the side of your bed.  When you wake up after a dream, record its content. In the morning, transcribe.  Obviously, you can also use a simple pen and paper.


The trick with this dream-journaling is that dreams are often fragile tissues.   We can awaken in the morning with a clear sense of our dreams, and just sitting up can make them dissolve.  So…keeping a recorder on your bedside or under your pillow can allow you to wake up in the middle of the night, whisper your dream into the recorder, then roll over and go back to sleep.  This recording then becomes a “prompt” to help you remember that dream in the morning, when you transcribe it into a journal.


This exercise helps you to make a connection between your conscious and unconscious minds, critical to the creative process.


Try this and let us know what kind of madness you come up with!



p.s.–and please remember that the “Make Your Own Movie” webinar is tonight, January 22, at 6pm pst.  Our goal is to give $2001 in value in this FREE educational experience. Join us, or please pass this information to a creative friend!  WWW.HOLLYWOODLOOPHOLE.COM

Last Day for advance registration!




Frankly, I’m so convinced that this is the distillation of everything I’ve learned about success since childhood, that I’m applying it to EVERYTHING in my life.  Are my goals clear?  Do I believe I can and should have them?   Am I taking daily action that is NOT dependent upon external cooperation?   Do I fill my heart with love and gratitude every day?   If I do, if I do these things correctly, I WIN, no matter what anyone else thinks or does.


And this is the point behind my insistence that writers write short stories: not only do you learn your craft (and the business) most rapidly, but there is a great satisfaction in completing a task.  But it wasn’t until a couple of technologies matured that it became possible to apply this same idea to movie making.  Changing the order slightly (which is perfectly cool with a multiplicative equation):


GOAL: To make movies, entertain and enlighten, express yourself…and generate the resources necessary to support your family and live with grace.

FAITH: Thousands of others have done this.  If you are willing and able to pay the same price, you can get the same results.

GRATITUDE: Sheer joy in spending your days doing the thing you love.  And of course, all of the love, health, and positive experiences that have brought you to this point in your life.

ACTION:  Well…this is where we can fall down.    The usual pattern is “writing scripts” and beyond a doubt, it works.   But what you CANNOT do by “writing scripts” is complete the cycle of art, so that you actually share what you have done, learn what happens after you type “the end,” and learn what the actual “thing” called “cinematic art” might be.  


And traditionally, you could not do this without the cooperation of multi-million dollar studios, and executives walking on thin ice to keep their cushy jobs.    But until you GET that cooperation, you literally don’t understand what you are doing…unless you cheat.


Yeah, we’re talking about cheating.   Making your own @#$$ movies. Short movies: 10-15 minutes, perhaps.    And in that way, whether or not you want to “get into Hollywood”, you are not only learning at your fastest rate, but actually creating real works of craft and self-expression.  And at the most basic level, it costs NOTHING but time, energy, and storytelling ability.


And that is the subject of tomorrow’s FREE webinar.  My wife, the rather amazing Tananarive Due and I will explain exactly why and how to make your own movie, for your own entertainment, to learn, to share, or to advance your career.  It’s up to you.


Please join us by going to  At 6pm pst tomorrow we are creating a module for our course the SCREENWRITING MACHINE, and it is your opportunity, FREE OF CHARGE, to ask anything you want.    This is community building, one piece at a time, and if you join us, you are helping us lay the foundation.


Join us!  Register now at  I promise you won’t be disappointed!


Write with passion,

The Revenant (2015)


I’m not sure I’ve ever in my life seen a movie with such a combination of raw beauty and even rawer brutality than Alejandro G. Iñárritu’s “The Revenant”.  Written by Iñárritu with Mark L. Smith and based (in part) on the novel by Michael Punke,  “The Revenant” is a mythology spun off the true story of a 19th century frontiersman Hugh Glass (a 100% committed Leonardo Di Caprio) this tale of revenge, survival, and just possibly redemption simply reeks of authenticity–not historical accuracy, but rather the willingness on the part of the filmmakers to get inside Glass’s skin, to recreate the qualities of mind and body necessary to drag a shattered body through the snow in search of the man you need to kill.


Basically, Glass was the guide for a group of trappers traveling deep into the wilderness.  Everything imaginable goes wrong, including the bear attack you’ve heard about.  And yes, it is amazing, terrifying, and oddly beautiful.  


Horribly wounded, his fellow woodsmen leave him for dead, in a stunning   act of betrayal.  While much of the story is (by necessity) fabricated, what follows, as Glass seeks life and redemption, is so real that it seems churlish to insist that real history would have been better.  It is a MOVIE, not a documentary, and the cast and director so obviously exposed themselves to the elements (including -15 degree weather that drove some of the crew to quit), filming using only natural light, actors doing (most) of their own stunts, filming in chronological sequence (this has been done quite rarely, in films like Casablanca and Deliverance), and world-hopping to find the snow conditions necessary for filming.


Excruciatingly long, harrowing, violent, and mesmerizing.  Di Caprio and his blood enemy (an occasionally incomprehensible Tom Hardy as the man who abandoned him) plunged so deeply into their roles that it is mind-boggling to think of “The Wolf of Wall Street” or “Legend” and realize these are the same guys.   


For this cinematic version of Glass, his “Hero’s Journey” is, externally, one of survival. But internally one more important than mere fleshly existence.  In order to preserve life, Glass becomes an animal, willing to do anything a wolf might do to survive.    And the real question is not “will he live?”  or even “will he get revenge?” but “what will be left of this man?  Will he even be a human being by the time this ends?”


Those first questions are “what is true?” and they are gripping. But deeper is “who am I?”   asked as “what is a human being?”  and “what is he, what are WE?” and “how can we keep our souls in the midst of life’s crushing, numbing fight for survival?”


Each set of questions is important, and together they open the doorway to a deeper experience.  This is superb filmmaking, and if “The Revenant” (a term for a spirit returned from the dead) wins “Best Picture” I won’t be surprised or displeased in the slightest.   It is not a perfect film–nothing is. But I think it is a true film, and that is no small thing.    Iñárritu and his cast went through hell to create this work of art, and emerged with a sliver of heaven.    It earns a solid “A”.
–Steven Barnes

Tears streamed down my face. Was it too late?

About thirty years ago, I was sitting in a Greenwich Village restaurant speaking to Leo and Diane Dillon about art.   These were REAL artists, fabulous graphic geniuses (the inset image is from their cover to Harlan Ellison’s DEATHBIRD STORIES), and a husband-wife team who performed as a single mind.  When she started a line, he finished, and vice versa.  In the presence of such greatness, all my pretense of wanting to interview them to help an artist friend just…dissolved.   



Tears streamed down my face, all my bullshit stripped away in the face of such artistic purity.  I realized that in trying to maintain a career, to support my family, I had often written things purely for the money, sometimes scrabbling to please people with corrupt values and petty creative minds.  “We can’t do that story” I remember being told once.  “If we did that story, people would think this show is about something, and our only excuse for putting on a mass murder every week is that this is pure entertainment.”


Name of God.   And…I needed the money.  Instead of excusing myself and using up a bobbin of mental floss, I stayed and pitched madly, desperate to get that check.   Frankly, honestly, it took me a year to recover.  


That’s another story.


I explained my situation to Leo and Diane, and choked out the words: “is it too late for me?   Can I still find my way to my art?”


They looked at me not with scorn or mocking, but pure compassion.  Diane reached across the table and took my hand.  Through a film of tears I heard her say words that changed my life: “if you can even ask that question, it’s not too late.”


Bless her.  I’ve lost my way at times. We all have.  If you have ever wanted to work in Hollywood, you have been tempted to sell out, to change your words, to write what’s “hot” instead of what’s true.   It’s the war between heart and head, child and adult, and it is eternal.


In prose writing, the answer is often to write short stories, which cleanse the palate, give you a chance to study your craft for its own sake, and to play with nutty ideas for the sheer joy of it.


But what if you want to make movies?  In the process of chasing that dream, is it possible to create a path that takes you CLOSER to your creative impulse, while satisfying your heart, and simultaneously learning the skills you need to succeed in the money game?


Tananarive and I believe there is.  And it lies in making short films.  We’ve done it for nothing, for 30k, and I’ve done it in writing for television’s The Twilight Zone.   There you have it: from zero to 100% Guild, a continuum ANYONE can begin, a road ANYONE can walk, easier than at any point in history because of changes in technology.  


This Friday, we’re doing a totally Free webinar to create more material for our exclusive SCREENWRITING MACHINE class.  We’d love to have you in the audience for it.  We’ll be discussing the nuts and bolts of actual creation of short films, and you’ll have the opportunity to ask any questions you want, from the “why” to the “how” and the “how much.”  It will be at 6pm pst Friday the 22nd of January 2016, and we’re going to have serious fun, and show you how you can do the same.  Not “some day” but NOW.




If you can even remember your dream…it’s not too late.




A Note From “Future You”


Hey there!   I know this feels strange, but yeah, this is a note from you,   three years from now.  Just thought I’d reach back and give you a little encouragement, and a little push.


You see, I’ve accomplished so many of the goals you set out to achieve that I just wanted to say “thank you.”  For what?


–for keeping my dreams alive.

–for working so darned hard

–for maintaining faith that tomorrow could be better than yesterday

–for keeping a loving, optimistic heart no matter what.


That’s what it takes, you know.   


And one of those dreams seemed impossible, I know.   You wanted to write movies.  But you understood what that meant: not “write scripts”.  Anybody can do that.  You wanted to write MOVIES.   To create, to share, to build images that change the world.  And oh, yes, you wanted to conquer Hollywood, the apex of the world’s creative flow. There was and is NO other world destination that pulls the greatest talent from every corner of the globe.


And that is not just the tallest mountain, but all those hands seeking to climb it have polished it slicker than glass.    


You saw the task ahead, and climbed anyway.

You saw the crushed bodies at the bottom of the slope, and climbed anyway.

You listened to everyone saying “you can’t do it” and climbed anyway.

You saw the awards and money going to others.  Sometimes these were people with wonderful skills and talent…and other times it was to people willing to sell out, or those who had connections, or those who were the flavor of the month.


And you never gave up.


Because you saw a way to do something extraordinary.  You realized that the game had changed, and that there was a different way up the mountain.


One that would teach you the skills necessary to climb as fast as you were capable, but at the same time actually have the fun and satisfaction of REAL CREATION.  That’s right. You were one of the first to see that you could have both. And that if you did, then no one could stop you.


You were like “Rocky.” Remember that terrific first movie, before Stallone discovered Roman numerals?  Where he decided he couldn’t beat Apollo Creed?  When Adrian asked him what they was going to do, and he said that if he could just be on his feet at the end of fifteen rounds he’d declare victory?


And because of that change, because he defined success as something within his grasp, something determined by HIS actions, not the judgements of others, he ultimately became champion of the world?


Remember that?   Wow. What a moment.  That was TRUTH. And you saw and felt it.


And because of that, I’m where I am now. And I owe it all to you.


I just wanted to encourage you to trust your instincts.  Follow your dreams.   To clarify your goal of writing MOVIES, not just “scripts.” Of creating, and having faith that if you do your very best, day after day, learning as you do, that you will raise your skill and ability to the highest level you can. And that you can have FUN along the way, learning at accelerated speed, meaning learning the WHOLE business…


-How to write

-How to FINISH and polish

-What a producer needs to make a movie

-What a director needs and wants

-What actors need and want

-How an audience responds to your work.


You knew that without ALL of these things, you could chase your tail forever, hallucinating that you were making progress instead of actually growing.


Yes.  You found the “loophole” in the game.   A way to succeed, GUARANTEED, simply by shifting your paradigm a little.   And that made all the difference.  


You decided to go to WWW.HOLLYWOODLOOPHOLE.COM and take control of your career, your creativity, your learning process, your ability to speak your truth to the world.  You did it, and I am so darned proud of you.


I’m nothing without you, really.  


Today was the day we planted that seed, wasn’t it? The day we made one of the best decisions we’d ever made?  Trust your instincts about that.  If you like this future “you”–one who is writing and making films, who has a new supportive community of like-minded people, who is taking our dreams to the next level…just go to and take the next step.


I’m counting on you…


Signed, YOU
(p.s.–only five more days to be a part of the three-part teleseminar where you’ll have a chance to ask Steven Barnes, Art Holcomb and Tananarive Due ANY QUESTIONS you have about the SCREENWRITING MACHINE or writing in general.  I’m SO glad you didn’t miss this opportunity!)

Hollywood’s panic is your gain

I’m a dinosaur. For decades, I’ve discouraged students from self-publishing (although that’s MUCH better than “vanity” publishing, where you pay a company to publish your book for you). The “Machine” for writers says that you stay away from publishing books until you have published 10 stories (on average). Because there are hundreds of magazines, anthologies, webzines and so forth that pay at least a little money, Tananarive and I have always believed that a talented hard working writer WILL find her way through the system, no matter where in the world they are.

But I’ve come to realize that THIS IS NOT TRUE WITH SCREENWRITING.

The traditional method is:
Move to Hollywood.
Get a job in the industry/go to Film School
Write a stack of scripts.
Attract the attention of an agent
Enter production
Enter post-production
Get distribution deal

Fail a single step, and the entire “chain” breaks. Your “bridge” to success collapses. A single step. And frankly, that sucks. Even if you SUCCEED at doing it…once…you might not ever do it again. There are screenwriters who have won OSCARS and still struggled to get another film made. What chances do we have?

Well…this is where my friend Art Holcomb came in. Frankly, as an in-demand columnist, lecturer, Hollywood script consultant and media advisor, he has insights I lack. I’ve had plenty of scripts produced, but never actually been “on the other side of the table” as it were. What Art said about the actual nature of the game was depressing at first…and then exhilarating.

Because once we put our heads together, compared our experiences, and looked at what was working for young artists in the 21st Century, we realized that there really was another way. A NO-FAIL, NO-EXCUSES way for a screenwriter with a teaspoon of guts to actually “hack” the system.

Because THERE IS A LOOPHOLE. Yes, there is.

The shift in technology makes it possible. HOLLYWOOD IS PANICKING because of these “loopholes”, which are shattering their century-long “hold” on the industry.   (Think of the alarm in the music industry as services like Napster came into existence.  The movie industry isn’t as bad…it’s WORSE.  And that, my friend, is bad for major studios…but good for me and you!)

This panic, and the new technologies and social changes that triggered it, are YOUR ADVANTAGE, if you have the heart to take it.

This isn’t a joke, and it isn’t a gimmick. The answer? MAKE YOUR OWN SHORT MOVIE. We raised 30 thousand dollars to make “Danger Word” and it changed our relation to Hollywood. BUT YOU DON’T NEED THAT MUCH. NOT EVEN CLOSE.  In fact, you can probably do it for UNDER A HUNDRED DOLLARS.  Tananarive made hers for about SEVENTY BUCKS.

In two hours, we can teach you why this works, how it works, how to find the resources, why EVEN IF YOUR ONLY AMBITION IS TO BE A SCREENWRITER, with no slightest interest in being a director or producer, you will learn more screenwriting in ONE YEAR of following our program than you will from a FOUR YEAR film school.

This is new. It is complete. It is radical, and it is FUN.

You will learn:
How to START your script
How to FINISH your script.
How to banish the FEAR that stops you from speaking your TRUTH in your script
How to learn at accelerated speed, and learn the things that, before now, you had to join an expensive film school, or be one of the “annointed ones” who, through some combination of luck and skill actually “win the lottery” and get a film made.
How to position yourself to attract real Hollywood talent when you’re ready
How to have real FUN again. To recapture what made you want to write in the firstplace–to MAKE MOVIES.

Even if all you want to do is write, and have NO ambition to direct or produce, this is the fastest route to understanding your craft, guaranteed.    And if you DO want to actually make movies, to create your own films with total control?

Ladies and Gentlemen…start your engines!

Art and I have created something that opens the door to a totally different relationship with your creativity. You will have specific homework, specific guidance, a social media group to support you, a THOUSAND DOLLAR contest to inspire you, and teleseminars where you can ask anything you want. And at the end of the year, if you don’t agree you’ve had the time of your life, learned more, done more, and advanced your skill and career knowledge beyond your dreams, we’ll gladly return your tiny investment.

This is a path from “nothing” to “everything.” If you have even a smidgeon of self-confidence…if you are sick of being an “outsider” and want to get into the Great Game, just check out the “Screenwriting Machine” at WWW.HOLLYWOODLOOPHOLE.COM

You have nothing to lose but your helplessness!

Write With Passion!