I’m a dinosaur. For decades, I’ve discouraged students from self-publishing (although that’s MUCH better than “vanity” publishing, where you pay a company to publish your book for you). The “Machine” for writers says that you stay away from publishing books until you have published 10 stories (on average). Because there are hundreds of magazines, anthologies, webzines and so forth that pay at least a little money, Tananarive and I have always believed that a talented hard working writer WILL find her way through the system, no matter where in the world they are.
But I’ve come to realize that THIS IS NOT TRUE WITH SCREENWRITING.
The traditional method is:
Move to Hollywood.
Get a job in the industry/go to Film School
Write a stack of scripts.
Attract the attention of an agent
Get distribution deal
Fail a single step, and the entire “chain” breaks. Your “bridge” to success collapses. A single step. And frankly, that sucks. Even if you SUCCEED at doing it…once…you might not ever do it again. There are screenwriters who have won OSCARS and still struggled to get another film made. What chances do we have?
Well…this is where my friend Art Holcomb came in. Frankly, as an in-demand columnist, lecturer, Hollywood script consultant and media advisor, he has insights I lack. I’ve had plenty of scripts produced, but never actually been “on the other side of the table” as it were. What Art said about the actual nature of the game was depressing at first…and then exhilarating.
Because once we put our heads together, compared our experiences, and looked at what was working for young artists in the 21st Century, we realized that there really was another way. A NO-FAIL, NO-EXCUSES way for a screenwriter with a teaspoon of guts to actually “hack” the system.
Because THERE IS A LOOPHOLE. Yes, there is.
The shift in technology makes it possible. HOLLYWOOD IS PANICKING because of these “loopholes”, which are shattering their century-long “hold” on the industry. (Think of the alarm in the music industry as services like Napster came into existence. The movie industry isn’t as bad…it’s WORSE. And that, my friend, is bad for major studios…but good for me and you!)
This panic, and the new technologies and social changes that triggered it, are YOUR ADVANTAGE, if you have the heart to take it.
This isn’t a joke, and it isn’t a gimmick. The answer? MAKE YOUR OWN SHORT MOVIE. We raised 30 thousand dollars to make “Danger Word” and it changed our relation to Hollywood. BUT YOU DON’T NEED THAT MUCH. NOT EVEN CLOSE. In fact, you can probably do it for UNDER A HUNDRED DOLLARS. Tananarive made hers for about SEVENTY BUCKS.
In two hours, we can teach you why this works, how it works, how to find the resources, why EVEN IF YOUR ONLY AMBITION IS TO BE A SCREENWRITER, with no slightest interest in being a director or producer, you will learn more screenwriting in ONE YEAR of following our program than you will from a FOUR YEAR film school.
This is new. It is complete. It is radical, and it is FUN.
You will learn:
How to START your script
How to FINISH your script.
How to banish the FEAR that stops you from speaking your TRUTH in your script
How to learn at accelerated speed, and learn the things that, before now, you had to join an expensive film school, or be one of the “annointed ones” who, through some combination of luck and skill actually “win the lottery” and get a film made.
How to position yourself to attract real Hollywood talent when you’re ready
How to have real FUN again. To recapture what made you want to write in the firstplace–to MAKE MOVIES.
Even if all you want to do is write, and have NO ambition to direct or produce, this is the fastest route to understanding your craft, guaranteed. And if you DO want to actually make movies, to create your own films with total control?
Ladies and Gentlemen…start your engines!
Art and I have created something that opens the door to a totally different relationship with your creativity. You will have specific homework, specific guidance, a social media group to support you, a THOUSAND DOLLAR contest to inspire you, and teleseminars where you can ask anything you want. And at the end of the year, if you don’t agree you’ve had the time of your life, learned more, done more, and advanced your skill and career knowledge beyond your dreams, we’ll gladly return your tiny investment.
This is a path from “nothing” to “everything.” If you have even a smidgeon of self-confidence…if you are sick of being an “outsider” and want to get into the Great Game, just check out the “Screenwriting Machine” at WWW.HOLLYWOODLOOPHOLE.COM
You have nothing to lose but your helplessness!
Write With Passion!